This elaborate intricacy reveals the richness of the Indian tradition, in which gold, jewels and thrones were women into the legends of gods, demons and heroic kings. In contrast, the thrones and deity ornaments that would appear in later Tibetan thangka paintings, with their spacious blue-green Chinese-style landscapes, tended to be far more simplistic and stereotyped. About th Author: Artist Ram Prakash Shrestha was born in 1982 A.D. The second child of Mr. Om Prakash and Mrs. Belly Shrestha, Ram had keen interest in arts since childhood. He got an entry to the art field with a talent of drawing exact pictures printed in the comics and the books during school days. Only just because of his true passion towards art he was connected with senior Thanka [ Pauva ] artist late Prem Man Chitrakar. But as a formal art education he got a training of professional Pauva Art from CTEVT. Despite influence of arts of the other senior artists he has been successful to attain his own original art styles today. His arts have been exhibited and awarded several times in National Arts Exhibition held by Nepal Lalitkala Pragya Pratisthan. Similarly his creations have been exhibited in Buddhist Arts And Culture Exhibition [ Patan ] in 2008 , in Pauva Arts Exhibition [ Nepal Bhasa Academy ] in 2008 and in a joint Arts Exhibiton of Nepal Heritage Society [ Nepal Sampada Samaj ] respectively. He was successful to win the hearts of audience in Fokuoka Art Museum, Japan in 2011, in the fifth Traditional Arts Exhibition [ Bhaktapur ] in 2012 , in Bhodhisatwa Arts Gallery [ Bhaktapur ] and SARC Summit 2018 with his outstanding creations. He had participated in Art Workshop in Gorakhpur, India in 2012 and in Budhanilkantha World Peace Art etc. His arts have got a top preference on the wall of Lumbini's Tara Foundation and he got opportunities to decorate Singhal Buddha Bihar [ Monastery ] , Chovar Bihar [ Monastery ] and in many monasteries and Chiatyas with his traditional arts. He had been awarded many times even in school life. In B.S. 2061 he won the third prize in National Arts Competition organized by Lalitkala Sanstha NAFA. He stood first in National Arts Exhibition in 2062. Likewise he was awarded a special prize in the competition of 2068. Apart from these honors he stood second in the Seventh Handicraft Competition in 2011 and he was honored many times including in Tulsilal Amatya Memorial Arts Competition in 2060. His artwork was well appreciated and honoured at Smila, India.