Singh's exquisite work with blockprints is a form of re-enacted design history, rendered in visual rather than textual terms. Uncovering and reaching down to the purer forms, to the composite aesthetic of the 18th century, it offers a singular source of access to a seminal epoch in design. This volume illustrates how Singh has approached her craft with an archaeological devotion, peeling o dusty layers from the long-obscured story of blockprinting in the subcontinent. Her work yields a truly Indian aesthetic, fully formed and yet open to in uences, full of grand narratives but so dense with detail and meaning that in every telling, something new and essential is revealed both to the raconteur and the audience.