The Deccan during the early modern period roughly corresponds from the sixteenth to the early twentieth century, and the region presents a rich tapestry of diverse influences. The Deccan Plateau’s unique position, situated in south-central India at the crossroads of various cultures, was a region marked by the confluence of Persianate culture, regional dynastic rule, and interactions with European traders and powers. The socio-cultural life of this distinct region manifested with bustling markets where people engaged in daily activities, local artisans were at work, and families participated in cultural festivals, wearing traditional attire in historical architectural marvels. These snapshots reflect the blend of various themes, including politics, religion, art, architecture, commerce, trade, and craftsmanship that had shaped the region overtime. The region’s connections to international maritime routes made it a vibrant, multicultural space. The Deccan was a key centre of not just urbanization, but it was also a site of intellectual and spiritual exchange. This period laid the foundation for the emergence of new powers, such as the Marathas, Asaf Jahis, and eventually the British, which would further transform the region’s social fabric into a bigger mould of cultural hybridity. In this entire rubric of socio-cultural life, Hyderabad first as a city and later as a state emerged as a marker of cultural identity, where a blend of Hindu and Muslim elites coexisted and indigenous traditions interacted freely, resulting in a composite milieu.